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Wim bakery’s branding takes tips from floury work benches and croissant folds

Floating heads and strange technology: Artist and designer Garret Davis captures dream logic

Tüpokompanii’s approach to type design centres on misreadings, mistakes and meaningful disruptions

Tausend by Fontwerk is a new grotesque with a thousand ideas behind it

Map Project Office’s rebrand brings human clarity to the world of industrial design

How do you create an identity that’s queer-forward without turning to common clichés? Base Design shares its wisdom

Hyperreal photography meets minimal tech house: Facta’s new album features award-winning Pelle Cass

Publishing without a spine: A new exhibition showcases “the power of print unbound”

Designer as maker: Rebecca Wilkinson’s material investigations reveal design to be a practice of labour (and love)

Spreeeng is the graphic design cooperative rethinking design’s dogmatic structures

Jack Sachs takes us through his new intro sequence for The Wonderfully Weird World Of Gumball

In his loud, maximalist artworks, Andrzej G reanimates the 2000s

40Mustaqel’s future-facing publications are “skeptical of design boundaries”

Rave along with Maxxing’s dizzying visuals

“What surrounds a brand shapes how it speaks”: designer Laura Beulens on the delicate art of building a visual identity

No One Magazine is taking an underground tour of queer night life around the globe: Next stop HCMC and Hanoi

Metals is the design and direction studio shaking up music industry visuals

After Hours’ new identity is expressive, layered, and always on the move

Black Lodge Press is the decade-long print project dedicated to all things anarchist, queer and anti-fascist

Fifty shades of typeface, a London dominatrix gets her own brand identity